top of page
Maartje Sevenster, Alto

(Photo: Lindi Heap)





Maartje Sevenster discovered serious singing with teacher Susan Ellis when living in Canberra in the late 1990s. Since then, she pursued singing at a high level in the Netherlands, studying part-time with Roberta Alexander, Frans Huyts and Connie de Jongh and participating in master classes with the likes of Evelyn Tubb, Kelvin Grout, Carolyn Watkinsson, Lucienne Bouwman and Richard Jackson.  While obtaining a BMus, she sang in professional choirs with renowned conductors such as Yakov Kreizberg, Roy Goodman, Jaap van Zweden, Marc Soustrot and Reinbert de Leeuw. Opera roles include Third Lady in The Magic Flute (Mozart) and La Badessa in Suor Angelica (Puccini).

Recently, Maartje was alto soloist in Copland's In the beginning (“narrated with considerable power by mezzo-soprano Maartje Sevenster” CityNews), Janacek's Dairy of one who vanished, J.S.Bach's Easter Oratorio and Magnificat, J.C.Bach's Lamento, Pergolesi's Stabat Mater and Vivaldi's Nisi Dominus, in performances in the Canberra region. She performed the premieres of David Cassat's Die Hand, for mezzo-soprano, viola,  cello, flute and clarinet, and Judith Clingan's In this Fateful Hour in December 2013, and was part of the community oratorio Passion for Peace by Canberra composer Glenda Cloughley. As one of the narrators, “the crystal-clear articulation of Sevenster progressed the narrative elements” (CityNews). In 2016, she sang with the Song Company in Rossini's Petite Messe Solenelle, conducted by Roland Peelman.

Maartje founded the new ensemble Adhoc Baroque with Greta Claringbould and Peter Young. She is a member of Coro Canberra and works with coaches Louise Page and Dianna Nixon. She conducts a small community choir in the village of Gundaroo. Next to performing, Maartje has an ongoing interest in the acoustics of the vocal tract. The active control of resonances and the role of so-called formant theory in vocal training were the central topics of her bachelor thesis. She participated in the Estill Voice Training System level one and two courses in 2015.

BWV 243 alto.png
bottom of page