THIS PAST PERFORMANCE TOOK PLACE IN NOVEMBER 2016
Choir, Orchestra, and Soloists
Emma Griffiths, Keren Dalzell, Chloe Lankshear (Soprano),
Orchestra led by Leanne Bear
Directed by Andrew Koll
Anne Marie Dalseg
Ewan the Tenor
(click on each title)
Musical Director, Conductor
Andrew Koll is a Performance Teaching Fellow at the School of Music, ANU in Canberra Australia. He is a specialist in aural training, harmony and counterpoint, the science of just intonation, and the works of Johann Sebastian Bach.
Andrew first formed the CANBERRA BACH ENSEMBLE in 1999. He is eagerly anticipating the CBE's return to public performance in September 2016....
Leader of the Orchestra
Composer and violinist Leanne Bear (BMUS, Qld) travelled around Europe with violin and suitcase, improvising and busking, and learning from acclaimed pedagogues Simon Fischer and David Takeno, having won the Gertrude Langer prize in Brisbane; and given broadcasts and touring for Qld Arts Council with her Piano Trio ‘Icarus’....
Emma Griffiths commenced her singing career receiving invaluable training and performance opportunities with the Sydney Children's Choir, performing in the Sydney 2000 Olympics Opening Ceremony. Her passion for early music developed under the baton of Neil McEwan, conductor of the Conservatorium Chamber Choir and Christ Church St Laurence. Under the direction of Amanda Thane, opera singer and teacher at the Conservatorium of Music in Sydney, she continued her instruction. Emma also spent time in Italy and here in Australia training and performing with Peter Phillips director of the world-renowned Tallis Scholars.
In 2009, Emma earned a scholarship to sing in the prestigious Ormond College Choir led by John O’Donnell and toured with the choir to Europe. She received further coaching in Melbourne by soprano Vivien Hamilton and performed regularly with her choral group, Early Voices. Emma has taken part in album recordings with the Sydney Children's Choir, Early Voices and Sydney group The Parsons Affayre directed by Warren Trevelyan-Jones. In 2012 she recorded with Canberra composer and singer David Yardley on an album of his medieval madrigal compositions, collaborating with some of the best chamber singers in Australia.
Emma established herself in the Canberra choral scene after her move from Sydney in 2010 singing with the Oriana Chorale under the direction of conductor and composer David Mackay, regularly performing solo work. She was one of the founding members of Canberra Critics Award-winning chamber group Coro and continues to sing with them, most notably performing some well-loved soprano solo roles in their 2015 production of Handel's Messiah. Emma has also performed in solo roles for the Canberra Choral Society and sings alongside Tobias Cole in his vocal quartet, Clarion which performs regularly at the National Portrait Gallery.
As well as performing, Emma teaches vocal students of all ages and enjoys passing on the great wealth of knowledge she has learnt from so many talented individuals. She has recently spent two years as a production manager for a community radio station in Canberra and continues her passion for radio at times announcing on ArtSound FM as part of their Concert Hall series. Her 2-year-old daughter keeps her on her toes as she balances her passion for early music with a passion for her family.
A graduate of the Australian National University's School of Music in Classical Voice (2012), Keren has recently returned from Austria, where she studied under master teacher Barbara Daniels (Metropolitan Opera, New York). In 2014, Keren participated in the prestigious Tyrolean Opera Program. Last year, Keren featured as Katie Nana and understudied the roles of Miss Andrews and the Bird Woman in Free-Rain Theatre Company's Disney's Mary Poppins and the role of Musetta in Canberra Canberra Opera's La Boheme. She has also featured in the roles of Cis in Albert Herring (2012), Spring in Dido and Aeneas (2010), and Female Owl in the premiere of the Australian opera Grimm and the Blue Crowned Owl. Keren is recognised as a principle soloist and recitalist around the Canberra region. discovered serious singing with teacher Susan Ellis when living in Canberra in the late 1990s.
Chloe is a keen young musician who has devoted her youth to the studies of voice and violin and has excelled at both, achieving high distinction for her AMEB eighth grade studies.
She was a member of Gondwana Voices for four consecutive years, including several overseas tours with renowned conductor Lyn Williams and a national tour with the Australian Chamber Orchestra. Chloe has also sung with the Canberra Opera Workshop.
Chloe is currently studying for her Associate Music Diploma under Louise Page and is studying a Bachelor of Music at the ANU School of Music.
Maartje Sevenster discovered serious singing with teacher Susan Ellis when living in Canberra in the late 1990s. Since then, she pursued singing at a high level in the Netherlands, studying part-time with Roberta Alexander, Frans Huyts and Connie de Jongh and participating in master classes with the likes of Evelyn Tubb, Kelvin Grout, Carolyn Watkinsson, Lucienne Bouwman and Richard Jackson. While obtaining a BMus, she sang in professional choirs with renowned conductors such as Yakov Kreizberg, Roy Goodman, Jaap van Zweden, Marc Soustrot and Reinbert de Leeuw. Opera roles include Third Lady in The Magic Flute (Mozart) and La Badessa in Suor Angelica (Puccini).
Recently, Maartje was alto soloist in Copland's In the beginning (“narrated with considerable power by mezzo-soprano Maartje Sevenster” CityNews), Janacek's Dairy of one who vanished, J.S.Bach's Easter Oratorio and Magnificat, J.C.Bach's Lamento, Pergolesi's Stabat Mater and Vivaldi's Nisi Dominus, in performances in the Canberra region. She performed the premieres of David Cassat's Die Hand, for mezzo-soprano, viola, cello, flute and clarinet, and Judith Clingan's In this Fateful Hour in December 2013, and was part of the community oratorio Passion for Peace by Canberra composer Glenda Cloughley. As one of the narrators, “the crystal-clear articulation of Sevenster progressed the narrative elements” (CityNews). In 2016, she sang with the Song Company in Rossini's Petite Messe Solenelle, conducted by Roland Peelman.
Maartje founded the new ensemble Adhoc Baroque with Greta Claringbould and Peter Young. She is a member of Coro Canberra and works with coaches Louise Page and Dianna Nixon. She conducts a small community choir in the village of Gundaroo. Next to performing, Maartje has an ongoing interest in the acoustics of the vocal tract. The active control of resonances and the role of so-called formant theory in vocal training were the central topics of her bachelor thesis. She participated in the Estill Voice Training System level one and two courses in 2015. (Photo © Lindi Heap)
Paul Sutton developed his musicianship at an early age singing in St. Mary’s Cathedral Choir, Sydney. Since completing a Choral Scholarship there, Paul earned a position as a Tenor Lay Clerk with St. Mary’s, where he regularly sings in choral and solo services and concerts. Paul is currently in his final year of the Bachelor of Music (Performance) at The Sydney Conservatorium of Music. In 2012, Paul toured to Brisbane and Melbourne with The Australian Brandenburg Orchestra for their production of Monteverdi’s L’Orfeo and in 2015, was selected to represent The Sydney Conservatorium of Music in Verona, Italy as part of the Estivo programme, for two weeks of lessons, masterclasses and public concerts.
Paul has been acclaimed for his “charming tone” in this year’s concert series with The Australian Brandenburg Orchestra, where he sang the tenor solos in Mozart’s Requiem. In July and August, he performed with Rockdale Opera Company in the title role of Orpheus in Offenbach’s comic opera, Orpheus in the Underworld. Coming up in December, Paul will be singing the tenor solos in Handel’s Messiah with Penrith Symphony Orchestra followed by two performances at the Sydney Town Hall with combined choirs. Next year, Paul will be returning to the Sydney Conservatorium of Music for a special performance of Ralph Vaughan Williams’ On Wenlock Edge as a result of winning the vocal division of the prestigious Concerto Competition.
Originally from Hobart, where he began his singing career forty years ago as a boy chorister at St David’s Cathedral, Andrew has considerable experience as both chorister and soloist throughout Australia. In 2004-06, he sang with the Choir of the London Oratory, England’s pre-eminent Catholic church choir. On return to Australia in 2007, he joined the Choir of St James’ Church, Sydney, with whom he still performs occasionally. Earlier this year he joined the choir's European concert tour, including a week as choir-in-residence at Westminster Abbey.
Andrew’s particular interest lies in the music of the Renaissance and Baroque eras, nurtured through fourteen years as a permanent member of Melbourne’s acclaimed Ensemble Gombert under the direction of John O’Donnell. He has rejoined the ensemble for its four overseas concert tours, most recently to Germany and neighbouring countries in 2015. In Canberra, Andrew is a founding member of the Clarion vocal quartet with Tobias Cole, and sings with Coro. Coro's program of Renaissance polyphony, 'Music by Numbers', which Andrew devised and co-directed, was named by the Canberra Times as one of the top five concerts of 2015.
Since 1992, Andrew has appeared many times as a guest artist with the Song Company, including three CD recordings — among which the 1996 world-premiere recording of Heinrich Schütz's Der Schwanengesang received Soundscapes magazine’s Editor's Choice award.
Andrew's solo engagements have included Bach's Cantata 130 and Mozart's Requiem with The Song Company and Wallfisch Band (2014 Canberra International Music Festival), Bach's St John Passion (St Mary’s Cathedral, Sydney), Mozart's Requiem (2014 Festival of Voices, Hobart), and the latter two works again at St James’ Church, Sydney, in its 2014 concert series. Andrew performed various roles in the Canberra Choral Society's semi-staged productions of Handel's Alexander Balus (2014) and Theodora (2015), and was bass soloist in both Coro's and Canberra Choral Society's acclaimed sellout performances of Messiah in 2015.
Andrew balances musical pursuits with a full-time career as a naval officer, facilitating his numerous geographical moves over the last three decades. In the 2012 Queen’s Birthday Honours List, he was awarded the Medal of the Order of Australia for his service to marine engineering in the Royal Australian Navy.